There has been a sudden glut of new albums in the last few weeks, from some pretty big names too. REM, Supergrass, Elbow, Goldfrapp, Portishead, Massive Attack - even Tricky have all thrown new wares out there and they are a mixed bag, to tell you the truth! This week:
REM: Accelerate
So the giants are back and this time they've turned the volume up a bit. Not as raw as Monster, more rocky than Automatic, but better than their other recent efforts. This album grows on you as a welcome return to form with the lush layered guitars and ethereal backing vocals and odd choruses.
For sure, I'm a little bit upset about the simplicity of some of the three-chord wonders, the single Supernatural Superserious is a clear example of this, and they still can't write choruses but there is energy and life in the music again.
Yes, this is an obviously calculated attempt to recapture the glory days, but I'm actually pleased about that, more so than I am about Portishead's new direction (see next week). It's just too damn short!
Elbow: The Seldom Seen Kid
It's a perfect soundtrack to the horrendous rain that it drumming down my office window, Elbow are melancholy and beautiful and upbeat all in the same moment, in the same song. I love this album. Asleep in the Back was brilliant, an album of songs that I wish I had written, Cast of Thousands was very 50/50, the gorgeous songs interspersed with over-simplified terrace chants which peak with the album closer, Grace Under Pressure. Even if I AM singing on it along with five thousand other people.
This time the good songs - the atmospheric opener Starlings, the great bass line of Bones Of You the beautiful piano in Mirrorball, the comedy of Audience with the Pope - far outweigh the slightly annoying ones, like Grounds for Divorce with it's stupid terrace chant and irritating guitars. Overall though, this album is a masterpiece with a lot of variety and quirkiness, while still sounding intrinsically Elbow. One to sing along to in the shower.