I guess this stuff really started in 1997 with my first computer, a lovely Pentium II 166! Combined with my very first sound module, a Yamaha MU50 I managed to create some very basic general midi type drum and bass, sadly unrecorded and unarchived (I hope)! I was already into using computers to write music since composing incidental music for plays at school for about five years running.
Back then it was Notator on the Atari, several computers later and my system is hardcore! Through work with Snow Crash and my penchant for drum and bass, my music combines rock, funk, electronica, drum and bass, hip hop, jungle, and chilled tunes.
It’s all about beautiful harmonies and the interplay of layered drum samples, sometimes I guess the Classical education comes through, but mostly I like telling stories with music.
It's been a while since I actually wrote any songs, but here's all the stuff I recorded along the way... There are a few different genres and some of it is pretty ropey, but hey some of it is also great (If I do say so myself)!
I basically made three 'albums' worth of stuff, Inauguration was recorded using sounds entirely from my trusty old Yamaha MU50, on Cakewalk 3, both of which I bought when I got my first computer.
In The Heliacal Rising of... I branched out a little, had a more powerful machine and was able to actually use samples and Fruity loops to help with the recordings. Monkey is more of the same really, just a bit more developed.
Just a list of the songs...
This tune showcases the amazing Ohm Boyz delay plug-in, along with the Devine Machine and a little ReFX plugin called 'The Claw'. This is current, latest, hot off the presses music from my bedroom....
I was pretty pleased with the effects on the MU50, this tune was really my first real exploration into SysEx messages and things like that. Of course this isn't really relevant anymore, but at the time it was mind-blowing what you could do with Yamaha XG!
The original (and my favourite) version of the Vortex!
1. The branch of theology that is concerned with the end of the world or of humankind.
2. A belief or a doctrine concerning the ultimate or final things, such as death, the destiny of humanity, the Second Coming, or the Last Judgment.
Which is why it's a happy tune... (jungle warfare samples, live guitar & keys)
One of my favourites, this is feel-good stoner drum and bass. All written in Sonar with a minimum of complications, basic midi sounds out of my MU50 and keyboard and a couple of cool VST's. What more do you need?
Some ramblings, samples and a nice electric piano sound. Stops a bit abruptly, but there you go. This was all recorded in Sonar and Fruity Loops.
Um, just an improv wigout... chilled out trippy drums and funky autowah guitars. A bit of throat singing and other little samples to keep it interesting.
Again, heavily influenced, another drum and bass tune...
This tune was made entirely using soundfonts from a Computer Music CD
Cheesy dance track, hilariously I tried to play the delay on the piano instead of ACTUALLY using delay on the piano.
Slow, hypnotic, someone listening to a bit too much Omni Trio, perhaps?
I used the Devine Machine
to mash up a few drum loops from my Jungle Warfare CD's, which I put into Sonar where I added a 2-note synth line, playing with the VST instrument Pentagon
to create both a synth part and a bass line. The SY77 just fills out the top end a bit.
Ladies and Gentlemen, A tribute! I give you the Vortex...
...I'm only doing this because I like your robot...
Sonar, Fruity Loops, SY77 and lots of lovely jungle, plus some random noises to keep it interesting... This is a big tune...
The aliens are coming! One afternoon with Fruity Loops. What else can I say? More Jungle Warfare Samples and a slightly alien theme...
I wrote this at a time when I was listening to a lot of Moving Shadow compilations....
This song was built up from the bassline, I always heard the 1st beat in a different place to Kieron, so when I actually got round to recording, he had to learn how to play it all over again! Jungle Warfare Samples, Fruity Loops and my guitar... Bass was recorded through the Fender Bassman on my Line6 Amp.
LYRICS
I don't know if I told you that there ain't no other
way of life for the criminal kind,
you couldn't hear it, but I did discover
how to get out of this frame of mind.
I don't know if you want it but you've got to grab it
before it's out of sight
like you never understood than when you be my lover
all of the time it's like, it's like,
I wanna be whole again...
Dave, Stuart and Kieron first met in first year at University, when they used to get drunk and play acoustically late into the night in a student hall in Clifton. Having successfully persuaded Stuart to spend his first year student loan on a drum kit, they set about forming a band and writing songs together. Everyone wrote songs and they were adept at adding to and elevating each other’s ideas well beyond their imaginings. It was a nice, communist kind of working with everyone contributing their own bits, although usually only one person wrote the lyrics.
A year or so of playing together and they managed to put together enough for a few well-received gigs around Bristol. At their best they had about 2 ½ hours of material. It all ended really when Stuart decided he had to follow his other dream and try to set up a Tai Chi school in Cornwall. Facing up to the fact that drummers around Bristol couldn’t marry disco and Iron Maiden in the same song it all slowly faded and while Dave still palmed himself off as snow crash for some time, he’s now realised that he needs to find his own name, so 'My Mate Dave' was born.
Just a list of the songs...
I wrote this song right at the end of Snow Crash's existence as a band, so had to record everything myself. It's nuts crazy funk and tells a story about megalomania, magic and the close correlation between these and madness. Note the use of Native Instruments Hammond B4 plugin, Fruity Loops for the drums, and a cheap flanger...
LYRICS
Did you ever hear the one about the one-eyed man,
how he opened up a grimoire in another land?
Coz when you’re seeing in mono you’re seeing red
and if anyone can the one-eyed man can
When the magic got out he knew the book was bad,
Saw too many others had the same thing that he had.
Tried to build an army but it drove him mad,
got into his brain like a thousand-eye freight train
Formed his plan in Astrakhan,
If you ever need a pickup then the one-eyed man
can
I ain’t making excuses for the following war,
no-one really knew what they were fighting for.
He knew everyone’s secrets but he wanted more,
like all the little cities on the Caspian sea shore
As soon as the East was one-eye land,
he moved into Europe in a big old transit van
The Americans failed to put up a fight
and the rights of the righteous fell by the wayside
CHORUS
And if the universe seems smaller than it did before
now you see in stereo and more...
You were never satisfied, got more powerful and I
can’t escape your omnipotent stare
CHORUS
So we covered our heads in hats of lead
and cowered in the back of a nuclear shed in Cannes
But the pressure was high and people died
and the man with the plan in astrakhan went mad
Now you’ll see him in the square with the scientist hair
selling ices to the masses with a maniacal stare
You should never try to talk coz he cannot lie
and he’ll show you the method of your demise
(if anyone can you know the one-eyed ice cream man can)
Drives his van, in Astrakhan
If you ever need a pickup then the one-eyed ice cream man can
A fight, and what happens when people get that blind rage but don't really mean it...
Lyrics
A cracked bowl and a broken cup,
In an early morning storm...
Like there wouldn't be another day -
Fights, lies,
There couldn't be another day
When you were never there,
I was never there...
I don't know how it happened,
Bloodstains on the wall...
You look at me with empty eyes,
Hear a siren call
I didn't see you fall.
Is it any wonder that I feel like this?
I never thought that I would live to see another day
All the broken china cups are worth the risk,
They're the only way that I can make you stay...
It's all so quiet now,
Echoes in the wind...
Your hair is falling down
Your face to rings of pearls...
Always a classy girl.
(chorus)
('middle 8')
(add-on bit to the end)
We just wanted to start with something funky, a sort of break to show off what we could do and wake everybody up before we launched into the plangent rock.
The first minute or so is cut off due to an over-taping error, if I ever get my hands on a 4-track recorder again we might get to hear the whole track!
(I don't know why this track doesn't play! the mp3 seems fine! AAargh!)
A kind of 'dark cabaret' song, Drums were written in Fruity Loops, guitar parts by me and lyrics is me too.
LYRICS:
Hey, would you like a little piece of the pie?
Hey, would you like to know the truth behind the lies?
And would you look me in the eye?
Or would you rather die?
If it were up to me
I wouldn't let it out of my sight but you all,
you all seemed so comfortable
Hey, is it true they sacrificed a man in the confusion?
and is he really still alive?
And another round of drinks for fellow workers
there's a fire in the sky
I don't believe that they can make you all so cold and lonely
I don't believe you're indestructable
(middle 8)
Hey, when you address the crowd,
did you think that they were listening?
It's how they'll get you in the end,
it's where the river meets the sea.
If it were up to me...
If it were up to me...
I don't believe that they can make you all so cold and lonely
I don't believe you're indestructable
Although written post-snow crash, I always intended this song to be part of the band. It was the first song where I actually felt like I'd worked out how to use compression, and that you could hear everything that was going on! It was also fun playing two guitar parts... drums are just samples off a Computer Music magazine CD.
Lyrics
I heard some people say that you have been playing away
When I went down,
and I am looking at a different picture
Of the uncontrollable crowds
And there has to be a logical reason
why they played it down
and you weren't the last to see me
as you were walking away
(chorus)
When the man in the middle spoke up you cried
And I ran undercover til I nearly died
When they threw the gas in I was still playing away
to the ever-loving crowd,
and the thought of having to face the black army today
couldn't last, so I wrote it all down.
(chorus)
I see the fear behind their eyes
And it's all just a cover for their lies
(middle 8):
You held all the cards you know I never realised that someone quite so beautiful as you could tell so many lies and when we sit here undecided the detritus of you crime I wonder if we really needed you to get us here and why why why did you go?
I wanted you to think again,
I wish that you would think again
As you say wait in line...
(chorus)
I though you looked back before you dived
and I though you smiled into my eyes
So I waited and I watched as you were walking away
and my hands were being tied
You looked like the essence of your soul had been taken away
and I didn't mind being the fall guy.
Another one of the oldest tunes ever, this is a dark tale of a nasty man who stalks ladeez of tha night. Lyrics by Kieron Cheek, music by me, Stu and Kieron... We always though it was a bit on the cheesy side, but back in '99 / 2000 it was one of our most popular songs (with our three fans...)
Lyrics
I call myself the Love Doctor
Doctor Love
I'm the iron hand
in the velvet glove
You know me from your nightmares, baby
You've seen me on TV
I'm everywhere baby
Can't get away from me
So don't you try to understand it
There ain't no other way
It's me on the scene
I saw you at midnight
working love street
and I beckoned you over
just easy meat.
Hi there honey,
are you looking for a good time?
A nod and a smile
and you were all mine, mine, mine!
CHORUS
Middle 8:
The tension's rising now I've got you alone
and though you don't yet know it
you're never gonna make it home...
Gonna give you to the darkness behind my eyes
and you'll live there forever
You're gonna be immortalised
CHORUS
I've got no problem
with the blood on my hands
It's an ancient cycle
I know you'll understand
I'm the destroyer
death and rebirth
walking in the darkness
I stalk the earth!
CHORUS
This is one of the oldest 'proper' songs I wrote, obviously Stuart and Kieron helped to mold it into what you hear here, I'd originally intended it to be fast all the way through, but Stuart was having lactic acid problems. this is also why there's a slow bit before the Guitar solo...
Lyrics
Tired, I'm too tired for the lies of the man
Fight, human rights are the height of all you can.
You, they're watching you as you follow your leader down
Christ is only one, just a man like those around you.
(chorus)
Don't back up,
Don't look back down
Don't try to run
Don't make a sound
Trust the way I see, the way I lead you on
And who said he's just a man? Did they see him die?
(Chorus)
(middle 8)
(guitar solo)
(chorus)
Love is all we have, all we need to stay alive.
And we have been standing by,
as we fell apart...
Well it was mostly an experiment, but we did record the whole thing so here you go... not my finest hour!
Simply put, this song is about robbing a bank. Stuart wrote the words, we all wrote the music...
Lyrics
Well I looked at you and you said ‘let’s do it’
And we walked into the bank
I knew as soon as you pulled the gun
it was a bad idea, a stupid plan...
‘Pay Up’, as you pointed the pistol,
I turned to ice inside,
The cashier started loading the gear
and someone started to cry...
('chorus')
Shit happens
The cash was in the bag
but I still had nagging doubts
We backed towards the door
never saw the man whose gun was out
One shout, two shots and a stagger
I didn’t see him fall
You pulled, I pushed and we both panicked
then we were out the door
Shit Happens
(middle '8')
Of course the men outside were on to us,
They had cars and gas and guns
So fast we never had a chance,
we were fugitives wanted on the run.
Misunderstood what they were shouting,
One trigger-happy cop turned around,
Although in slow motion, I saw you drop.
Shit happens...
Old, old song from the Snow Crash days...
LYRICS:
And if you wind up standing alone
The world can seem so small
And if you're needing a friendly smile
Don't come to me.
(CHORUS)
I could never understand
why you always had to try me, why me?
It's only a little way behind
but it's always how you find me
and I can't get away from you
So if you find that I'm not helping,
sometimes you should leave
I am locked inside
a tiny world of my own
CHORUS
(the missing middle 8)
When you look at me with your brown eyes I wanna cut you up
to see what you have got that makes you so one-sided
this is not a dream, it's how I feel and it is so fsked up
the world is closing in, and I can't escape it now
So when you wake up and realise
that we could never last
don't look back, just keep on walking
and try to forget
This one is about making decisions.
LYRICS
She looks at you across the top of her glass and smiles
And you think to yourself what harm is there inside?
If I don't talk too much you won't know how it feels
If I don't laugh too loud I'll make believe it's real
While you watch the drops falling off the table you don't hear
Aspersions on your character
You wonder why you came to be insulted
As you are, a pool is growing on the floor
And do you hurt? How do you live?
Do you see you're suffocating me
What do I feel, why can't I breathe?
Now I'm the one to leave
Within your head you know the truth immortalised
A shining path to seeing with tomorrow's eyes
But when she speaks out, suppressing undercurrents
Of the war, it's not worth fighting anymore.
And do you hurt? How do you live?
Do you see you're suffocating me
What do I feel, why can't I breathe?
Will it ever be the same again?
What did I say? What can I do
To prove that it was always you?
The one who taught me to believe
And it's not over yet for me
And do you hurt? How do you live?
Do you see you're suffocating me
What do I feel, why can't I breathe?
Now I'm the one to leave
No words, no real name working title: Storm...
Some of you may know of this already - here is a little bit of history and an extremely rare treat! I've Googled my mother several times, trying to find reference to the old Folky days and the only thing I can find is on pages for the other lady in these recordings - Lynn Heraud, where it says:
During the 1970's Lynne sang as part of a successful duo with Sue Ashby when they performed at many of the major clubs and festivals in the United Kingdom.
Here are a few of the songs they are referring to, remastered from old tapes.
Details...